The Summer Studio Program at Virginia Commonwealth University is a supportive and rigorous residency program with an established track record of inspiring and developing artists within a hothouse environment. Based on our successful MFA program, this 7-week intensive program combines theory and practice through: seminars, studio visits, artist lectures, critiques, professional development and intensive studio time.
For nearly a decade, this groundbreaking program has attracted artists globally to help transform and hone their work and ideas. Participants come together for uninterrupted time to work in generous studios and engage in ongoing dialogue with internationally recognized artists, critics and curators. Hands-on commitment to the advancement of the participants by those leading the program is remarkable: it is what sets this opportunity apart.
This two-month residency is ideal for artists developing a portfolio for application to graduate school, as well as those interested in uninterrupted studio immersion with charged feedback inside a stimulating and supportive atmosphere.
What Alumni Have to say
Many of the program’s alumni have gone on to some of the most prestigious graduate programs and residencies in the country. Past program alumni have noted:
“In two months, my work improved as much as in three years of university study.”
“Your serious belief in our individual potential and unwavering investment in our art practice was so encouraging, and certainly served as the impetus I needed to begin to transform how, why and to what end I make art.”
“The more time passes, the more I realize the significance this program had (and hopefully will continue to have) on my life as an artist… It is truly a transformative process.”
“I left the program feeling good, with stronger convictions, tougher questions, and more specific goals.”
2015 Core Faculty
- Lily Cox Richard
- Lily Cox-Richard earned her MFA in Sculpture + Extended Media from Virginia Commonwealth University. Her recent solo exhibitions include Hirschl & Adler Modern (New York), Vox Populi (Philadelphia), and the Hudson River Museum (New York). She has been awarded a Smithsonian Artist Research Fellowship, a postdoctoral fellowship in the University of Michigan's Society of Fellows, and residencies at the Core Program, Millay Colony, and the MacDowell Colony. Lily is the Critical Initiative Coordinator for the Core Program at the Museum of Fine Arts, Houston.
- Derek G. Larson
- Derek G. Larson hold his MFA from the Yale School of Art and is completing his Doctorate at the European Graduate School in Switzerland. In his practice he combines digital media with painting and projected animations. In 2014 his work was featured in the summer issue of New American Paintings and he received the David Bermant Foundation Fellowship. He has exhibited in a number of national and international shows and residencies, with recent exhibitions at Vox Populi (Philadelphia), Mulherin + Pollard (New York) and the Museum of Modern Art (New York).
2015 Visiting Faculty
- Karen Heagle
- Karen Heagle was born in Wisconsin. She earned her MFA at Pratt in 1995, and attended Skowhegan in 1997. She has had solo exhibitions at I-20 in New York and 31GRAND in Brooklyn. Heagle’s work has been included in group shows at the Weatherspoon Art Museum (2012); Brooklyn Academy of Music (2010); the Deste Foundation Centre for Contemporary Art, Athens, Greece (2006), among other institutions, as well as recent gallery shows at Allegra LaViola Gallery (2013, 2012) and Invisible Exports, New York. She is included in the forthcoming exhibition “The Power of Paper” at Saatchi Gallery, London. Heagle’s work has been reviewed in The New York Times, Artforum, Art in America, Time Out, and The New Yorker, and other publications. Her work is in the collection of the Museum of Modern Art, New York; the Saatchi Gallery, London; the Deste Foundation for Contemporary Art, Athens; and the Fundación/Colección Jumex, Mexico City.
- Matt Connors
- Matt Connors is a New York–based artist who uses painting and abstraction to pursue an open-ended and informal dialogue between form, style, material, and meaning; exploring questions, problems (and problem solving), and propositions rather than assertions or solutions. Drawing from the history of painting as well as from non–fine art fields of language, music, and design, Connor's work and its subsequent installation creates embodied and at times theatrical instances of materialized thought. In 2012 Connors had solo exhibition and survey of his work at MOMA/PS1 and his work is represented by Canada Gallery, NY and Cherry & Martin, LA.
- Arnold Kemp
- Arnold Kemp is chair of the Painting and Printmaking Department at Virginia Commonwealth University. Kemp’s work is represented by PDX Contemporary Art, Portland, OR. From 1991 – 2006, Kemp had four significant solo exhibitions in San Fransisco and many group shows while also working as a curator for the Yerba Buena Center for the Arts (1993 – 2003) and serving on the board of the Headlands Center for the Arts, Sausalito (2000 – 2004). His work resides in many collections such as the Metropolitan Museum of Art, The Studio Museum in Harlem. He is the recipient of numerous awards and fellowships including the John Simon Guggenheim Foundation, the Pollock-Krasner Foundation and the Joan Mitchell Foundation.
- Matt King
- Matt King is an associate professor and the interim chair of the Sculpture + Extended Media Department at VCU. He received his M.F.A from Bard College in 2004. Prior to this he studied at the Cooper Union School of Art and he participated in the Whitney Independent Studio Program. His solo shows include Werkstatte Gallery and Massimo Audiello in New York and Fourteen30 Contemporary in Portland, OR as well as group exhibitions including Luhring Augustine, Stefan Stux, and Guild & Greyshkul. Reviews of his work include Artforum, Art Papers, and Tema Celeste.
- Fawn Krieger
- Fawn Krieger is a NY-based artist, whose multi-genre works examine themes of touch, ownership and exchange. She received her BFA from Parsons School of Design, and her MFA from Bard College’s Milton Avery Graduate School of the Arts. Her work has been exhibited at The Kitchen, Art in General, Nice & Fit Gallery, The Moore Space, Von Lintel Gallery, the Rose Art Museum at Brandeis University, Portland Institute for Contemporary Art, Human Resources, Fleisher Ollman Gallery, Real Art Ways, Soloway Gallery, and Neon>fdv. Krieger is the recipient of numerous grants including those from Art Matters Foundation, Jerome Foundation, and the American Council on Germany. Her work has been featured in the New York Times, Artforum, Art in America, Sculpture Magazine, NY Arts, Flash Art, and Texte zur Kunst.
- Michael Jones Mckean
- Michael Jones McKean is the recipient of numerous awards including a recent Guggenheim Fellowship, a Nancy Graves Foundation Award and an Artadia Award. In addition, McKean has been awarded fellowships and residencies at The Core Program at the Museum of Fine Arts, Houston, The MacDowell Colony, The International Studio and Curatorial Program in New York City, The Provincetown Fine Arts Work Center, The Bemis Center for Contemporary Arts and the Sharpe-Walentas Studio Program in New York City. Recent exhibitions include the Center for Curatorial Studies, Bard, Annedale-On-Hudson, NY: Parc Saint Leger Centre d’art Contemporain, Nevers, France: Horton Gallery, New York, NY: Manifestation Internatiationle d’art de Quebec Biennale, Quebec City, Canada: Gentili Apri, Berlin, Germany: The Art Foundation, Athens, Greece: Favorite Goods, Los Angeles, CA: Parisian Laundry, Montreal, Canada and Shenkar University, Tel Aviv, Israel.
- Jeni Spota
- Jeni Spota lives and works in New York. She received her MFA from the School of the Art Institute of Chicago and her BFA from State University of NY at Purchase. Solo Exhibitions include The Museum of Contemporary Art, Chicago, IL, The Santa Monica Museum of Art, Santa Monica, CA and Brennan & Griffin, NY. Spota has recently participated in group exhibitions at Andrea Rosen, New York, Josh Lilley, London, Rhona Hoffman, Chicago, Luxembourg & Dayan, New York, Venus Over Manhattan, New York, Santa Barbara Art Museum, Santa Barbara, CA and Parrish Art Museum, Southampton, NY. This Fall, her work will be included in group exhibitions at Saatchi Gallery, London and The Jewish Museum, NY. She is represented by Brennan & Griffin, NY.
- Gregory Volk
- Gregory Volk is a New York-based art critic and freelance curator. He writes regularly for Art in America, and his articles and reviews have also appeared in many other publications, including Parkett and Sculpture. Among his recent contributions to exhibition catalogues are essays on Joan Jonas (Museu d’Art Contemporani de Barcelona, 2007), Bruce Nauman (Milwaukee Art Museum, 2006), Ayse Erkmen (Venice Biennale, 2011), and Sanford Biggers (Brooklyn Museum, 2011). His essay on Vito Acconci is featured in Vito Acconci: Diary of a Body, 1969-1973, published by Charta in 2007. Together with Sabine Russ, Gregory Volk has curated numerous exhibitions, including Agitation and Repose at Tanya Bonakdar Gallery in New York, Public Notice: Paintings in Laumeier Sculpture Park in St. Louis, and Surface Charge at the Anderson Gallery in Richmond, Virginia.
Past Faculty and Visitors
- Karen Archey
- Holly Coulis
- Lili Cox-Richard
- Matthew Flegle
- Jackie Gendel
- Heather Guertin
- Frank Haines
- Corin Hewitt
- Philip Hinge
- Ridley Howard
- Arnold Kemp
- Matt King
- Fawn Krieger
- Derek G. Larson
- Michael Jones Mckean
- Andrea Merkx
- Holly Morisson
- Carlton Newton
- Ester Partegas
- Nigel Rolfe
- Will Schneider-White
- Artie Vierkant
- Gregory Volk
- Wallace Whitney
- Julie Grosche
- Julie is a graduate of Ecole Nationale Supérieure d’Art in Dijon, France and is the co-founder of PMgalerie in Berlin, Germany and of Bcc, an itinerant curatorial project. Her work and curatorial endeavors have appeared internationally at Pauline’s, New York City; Reference Gallery, Richmond, Virginia; Domestica, Barcelona, Spain; PROGRAM, Berlin; Favorite Goods, Los Angeles; Oslo10, Basel, Switzerland; Emerson-Dorsch, Miami as well as Based In Berlin, Berlin, Germany.
WHO SHOULD APPLY?
Artists with undergraduate degrees who want to develop a body of work to serve as a portfolio for application to excellent graduate programs.
Artists with undergraduate degrees who are interested in further developing studio work and critical thinking in a creative professional environment.
Artists, perhaps farther along in their careers, who wish to participate in a critical dialogue to push their work to the next level.
The Summer Studio Program is progressive; students using traditional media as well as those who work in electronic media, performance, installation, conceptual and experimental hybrid forms are invited to apply.
Each week of the program includes group critiques, individual studio visits and a seminar: a focal point for group discussion of contemporary ideas, theory and issues based on readings and events. All of this is in addition to plenty of studio time.
- Group Critiques
- Individual Studio Visits
- Workshop professional practices (including preparing for graduate school, artist statement), welding, monotype, frame building.
Also mixed in the calendar are numerous visiting artist lectures and studio visits, museum and gallery field trips. The last week includes exit reviews by SSP@VCU faculty and a culminating on-campus exhibition of work produced during the program.
Participants have 24-hour access to a 114,000 square foot, state-of-the-art facility housed at the VCUarts Fine Arts Building near downtown Richmond, Virginia. Participants have the use of painting studios, woodshop, metal studio (please note the foundry and print making studio are not running over the summer), mold making studio, computer lab and video editing facilities as well as University Library privileges and Wi-Fi access. Technical assistance is provided in the sculpture shops and computer lab.
Click here to view Painting Facilities
Click here to view Sculpture Facilities
PARTICIPANTS ARE EXPECTED TO
- Work full time in their VCU studios for the duration of the program.
- Participate in all seminars, critiques, reviews and events.
- Participate in the exit exhibition (including planning, installation, lighting, etc.)
- Produce photographic documentation of work done during the summer program.
- Complete a written artist’s statement during the last half of the summer to present at the exit interview.
Upon successful completion of all aspects of the program, participants will receive a VCU Summer Studio Program Certificate in the major area of study.
RICHMOND | VCUarts | HOUSING
Richmond, the capital of Virginia, is a diverse cultural city, surrounded by historic neighborhoods, parks and the James River — home to one of the largest inner city park systems in the country. The city consistently ranks among "Best Places to Live and Work in America." Richmond is ideally located within easy reach of Washington DC, Baltimore, Philadelphia and New York City.
Near the center of downtown is Virginia Commonwealth University, a tier one public research university with over 31,000 students and 222 degree and certificate programs spread throughout its 13 schools and colleges. VCUarts, with over 3100 students is one is the largest schools in the University and is ranked as the #1 public university for art and design in the country by U.S. News & World Report.
Students can find nearby, off-campus housing during the program. Students are responsible for arranging their living situation. Sublets range in price and availability, for a general overview of prices see Craigslist Richmond. You should plan to spend between $500 and $800 for a bedroom in a shared apartment or in a private one.
A limited number of $1,000 Scholarships will be awarded to students whose work is of exceptional quality. All students will be considered for these scholarships during the application process.
Email your application to firstname.lastname@example.org in one folder labeled with the program of your choice and your name (Sculpture_Firstname_Lastname) or (PaintPrint_Firstname_Lastname):
Mail your fee:
- Pdf: Ten images/videos of recent work with title, year, medium and dimensions listed under each images, videos can be sent to email@example.com via google drive.
- Pdf: One-page artist’s statement + CV including name, date of birth, address, telephone number and e-mail address + Two references (no letters) with name, title if applicable, phone number and email contact.
Application fee of $25 - Check payable to VCU SSP to this address::
VCU Summer Studio Program
P.O. Box 843005
1000 W. Broad Street Room #351
Richmond, VA 23284-3005
EMAIL APPLICATION TO
Julie Grosche, Program Coordinator at firstname.lastname@example.org
- There is no application form.
- Apply EITHER to Sculpture + Extended Media or Painting & Printmaking.
- If you wish to apply to both departments, submit two separate applications and application fees.
- All checks and mail must be addressed to VCU Summer Studio Program.
- We request proof of health insurance; if you are unable to provide proof of health insurance you will need to sign a release and waiver of liability form.
- SSP fosters artistic growth; university credit is not available. While program graduates may apply for admission to VCU’s MFA programs, SSP is not a portal to admission.
- There is no financial aid available for SSP.
VCUarts SUMMER STUDIO PROGRAM
2015 PROGRAM SESSION: JUNE 7 – JULY 30, 2015
APPLICATION DEADLINE: APRIL 17, 2015
- Deadline for Application: April 17, 2015
- Notification of Acceptance: April 30, 2015
- Program deposit $200: May 15th, 2015
- Program Fee due $4,750: May 22, 2015
- Program Session: June 7 – July 30, 2015
- Orientation: Sunday, June 7, 2015
Contact Julie Grosche, Program Coordinator at email@example.com