Wednesday, October 4, 2006 at 4pm
University Student Commons Theater, 907 Floyd Ave.
From Seeing Out Loud by Jerry Saltz: “The best critics look for the same things in contemporary criticism that they look for in contemporary art. But they also have an eye. Having an eye in criticism is as important as having an ear in music. It means discerning the original from the derivative, the inspired from the smart, the remarkable from the common, and not looking at art in narrow, academic, or “objective” ways. It means engaging uncertainty and contingency, suspending disbelief, and trying to create a place for doubt, unpredictability, curiosity, and openness. Dishearteningly, many critics have ideas but no eye. They rarely work outside their comfort zone, are always trying to reign art in, turn it into a seminar or a clique, or write cerebral, unreadable texts on mediocre work. There’s nothing wrong with writing about weak art as long as you acknowledge the work’s shortcomings. Seeing as much art as you can is how you learn to see. Listening very carefully to how you see, gauging the levels of perception, perplexity, conjecture, emotional and intellectual response, and psychic effect, is how you learn to see better.” Jerry Saltz is the Senior Art Critic for the Village Voice and has been nominated for the Pulitzer Prize in Criticism three times. In 2000 he was the sole Advisor for the 1995 Whitney Biennial.