Throughout the academic year, the VCU Guitar Series presents outstanding classical and flamenco guitarists in concerts and master classes.
Guest artists featured in this series are widely recognized throughout the U.S. and around the world. Past performers have included British guitarist Simon Dinnigan, flamenco guitarists Paco de Malaga and Richard Marlow, the Alexandria Guitar Quartet, William Kanengiser, Larry Snitzler, Dennis Koster, Lily Afshar, the Lafayette Trio, and Italian guitarists Lorenzo Micheli and Aldo Minella.
We are saddened to announce the passing of another member of our vast VCU Music family. Francile Bilyeu, retired professor of flute, passed away at her home on July 29, 2018. Bilyeu taught at VCU for 34 years and retired in 2008. We will always remember her joyful enthusiasm, enduring kindness, dedication to her students, sense of humor, and her immense talent as a flutist and an educator. She will be greatly missed by all of her students, colleagues, friends and family.
Below is the obituary from Richmond Times-Dispatch, which includes details about a memorial service. A celebration of Francile’s life will also be held at VCU this fall, with details to be announced.
BILYEU, Francile Madeline, of Richmond, died at home on Sunday, July 29, 2018. She was preceded in death by her husband of 46 years, Landon A. Bilyeu; and infant daughter, Maura Elizabeth. She is survived by her daughters, Lana Bilyeu (Margaret Collins) and Janice Delong (Henry); grandchildren, Alan (Catherine Pelletier) and Marina Chavez, Fuller and Joanna Collins-Bilyeu and Madeline and Moira Delong; great-grandson, Landon; sister, Janice James; sister-in-law, Karen Bilyeu Smith; and brothers-in-law, Dennis, Jerry and Ron Bilyeu. Francile was a beloved faculty member of the VCU School of Music for 34 years. The family will receive friends 5 to 7 p.m. Friday, August 3, at Bliley’s-Central, 3801 Augusta Ave. A memorial service in celebration of Francile’s life will be held 1 p.m. Saturday, August 4, at Good Shepherd Episcopal Church, 4207 Springhill Ave., Richmond, Va. 23225, with a reception to follow. In lieu of flowers, memorial contributions may be made in her memory to Good Shepherd Episcopal Church or a charity of your choice.
Terry Austin, Director of Bands and Professor of Instrumental Music Education, has been appointed the new Interim Chair of the VCU Department of Music.
Under his leadership as Director of Bands and Professor of Music, VCU’s Symphonic Wind Ensemble has earned a reputation for musical excellence and been invited to perform at many professional conferences including the American Bandmasters Association, MENC, the College Band Directors National Association, and the Virginia Music Educators Association. Terry was the recipient of the 2005 Virginia Commonwealth University School of the Arts Distinguished Achievement Award of Excellence. This academic year marks his 33rd at VCU.
“I am grateful for his commitment to our school and the music department, as well as his willingness to lead through this time of transition,” said Shawn Brixey, Dean of VCU’s School of the Arts. “His experience and commitment to excellence in teaching, research and service will serve us well.”
James Wiznerowicz, previous Interim Chair, has been promoted to Interim Senior Associate Dean in the School of the Arts.
It is with profound sadness that I share with you the tragic news of Rebecca Tyree’s death from a bicycle injury yesterday. She passed away at the hospital last evening in the presence of family and friends.
Faculty members are on campus today to meet with students, including the music department’s interim chair James Wiznerowicz and director of choral activities Erin Freeman.
Becky was a vital and beloved part of our VCUarts community. As assistant professor of choral music education and choral ensembles, she inspired the next generation of choral educators and believed in the transformative power of choral singing. She was deeply devoted to service learning through projects such as SPARC’s Live Art, which trains kids to sing, act, and dance, and the RVA Street Singers, which serves people affected by homelessness in the Richmond community.
Becky was extremely accomplished, dedicated, and decorated as a public school music educator with 25 years of experience prior to joining our faculty in 2000. That dedication continued with her work here, where she was profoundly committed to our music students and to the art of choral singing.
She was adored by her colleagues, students, friends, and family. Her unexpected death comes as a shock to us all.
Our thoughts are with her family. We will pass along information about arrangements when they are known.
With heartfelt sorrow,
Dean | School of the Arts
Special Assistant to the Provost for the School of the Arts in Qatar
Professor | School of the Arts
Affiliate Professor | College of Engineering
Minh Vy Duong
Alfred Crespo Santiago
After nearly 40 incredible years, professor Doug Richards is retiring from VCU.
Richards joined the VCU faculty in 1979, and founded its Jazz Studies program in 1980. He is regarded as one of the finest jazz composers in the world, as well as a legendary educator and band leader. Richards is the recipient of VCU’s 1997 Outstanding Teaching Award and numerous grants from VCU toward the creation of musical works.
The Classicalite referred to Richards as “one of the most respected composers/arrangers you’ve never heard of” in their review of his 2016 album, “It’s All in the GAME.”
During his time at VCU, Richards has had an incredible impact on the lives of students and faculty alike.
“Doug Richards is the greatest educator I have ever known. He wields passion, honesty, and knowledge like no other. I am a better musician and better person for having had the privilege of learning from this living legend,” stated Pete Anderson, one of Richard’s former students.
Richard’s former students have performed and recorded with many of the world’s leading jazz organizations including the Count Basie Orchestra, the Ray Charles Orchestra, the Lincoln Center Jazz Orchestra, the Smithsonian Jazz Masterworks Orchestra and the Village Vanguard Orchestra, as well as with groups led by such major figures as Herbie Hancock, Wynton Marsalis, Horace Silver, Betty Carter, Abbey Lincoln, Cyrus Chestnut, Bill Evans, Chick Corea, Dave Holland, James Carter, the Brecker Brothers and many others.
VCU Music’s saxophone instructor, Al Regni, is retiring after 16 years.
Since his start at VCU in 2002, Regni has graced the Department of Music with exceptional teaching and remarkable musical skill. He taught private lessons and led saxophone ensembles, performed as a soloist with the VCU Symphonic Wind Ensemble among other ensembles, and brought stellar performances by his quartet, The American Saxophone Quartet, to VCU.
Regni’s music career has been nothing short of incredible. He began playing the clarinet at age 9 and was introduced to the saxophone at the age of 12. By the time Regni was 16 years old he had performed with with the Rochester (New York) Philharmonic Orchestra, where he worked with renowned conductors, Erich Leinsdor and José Iturbi, launching the start of his career in music. Regni graduated from the Eastman School of Music and Manhattan School of Music, where he majored in clarinet.
In 1963 Regni was asked to become principal saxophonist of the highly esteemed New York Philharmonic, where he continued to perform until 2013. During those years he also served as the principal saxophonist for the New York City Ballet and the Metropolitan Opera Orchestras. Regni has appeared as solo saxophonist with the National Symphony, American Symphony, New York Philharmonic, The American Composer’s Orchestra and The Little Orchestra of New York under a number of luminary conductors including Leonard Bernstein, John Williams, Leonard Slatkin, David Gilbert and Dennis Russell Davies.
VCU’s Department of Music aims to engage students in activities that promote high-level musicianship and collaboration.This most often means exposing young musicians to playing in ensembles such as our Symphonic Wind Ensemble, VCU Symphony and VCU String Orchestra, to name a few. But what if students could go beyond the concept of simply “playing together?” Dr. Magdalena Adamek’s new class, MHIS 491: Advanced Chamber Music, seeks to push the boundaries of what it means to play in an ensemble.
Adamek, Assistant Professor in Collaborative Piano, believes that performing in an ensemble setting brings enormous benefits for students, especially for those at the beginning of their musical journey. She created the Advanced Chamber Music class for students who demonstrate a high level of proficiency with their instruments and who desire an in-depth approach to studying chamber music.
As an advocate for the development of a successful chamber music program at VCU, she believes chamber music plays a significant role in every music student’s life. Aside from developing a sense of pitch, rhythm, and gaining detailed insights into the genre and style of a particular piece, Adamek has observed that students learn how to communicate without words and how to sacrifice oneself for the benefit and overall excellence of the whole group. She has seen first-hand how they share their passion for music and learn about solving various problems while maintaining their own integrity.
With these learning outcomes in mind, Adamek designed the course to incorporate a performance element into a broader context of collaboration. First, the participants develop their playing skills under the professional guidance of skilled faculty members: Dr. Tiffany Valvo, clarinet; Dr. Tabatha Easley, flute; Susanna Klein, violin; or Adamek herself. Second, Adamek further guides the students to work together on their semester-long projects. This year’s projects involve a performance combined with a mini-lecture/multimedia presentation or program notes.
The VCU Music Education Faculty presented awards to Seth Taft and Paul Bakeman at the VMEA VCU Alumni Reception on Friday, November 17, 2017. Seth Taft received the Outstanding Music Education Young Alumni Award for exemplary practice as a young Music Educator, and Paul Bakeman received the Outstanding Music Educator Award for innovative and exemplar practice in Music Education.
The VCU Department of Music will host three professional development sessions for orchestra teachers this fall. Recertification credit available. Contact Dr. Sandy Goldie for more information.
The Bornoff Approach Workshop with clinician Debbie Lyle (Foundation for the Advancement of String Education)
Saturday, October 28, 2017
9 a.m. – noon
W.E. Singleton Center for the Performing Arts
922 Park Ave, Richmond Va.
Come and explore the exciting pedagogy of the Bornoff approach on your primary or secondary instrument in this interactive session for recertification credit.
Registration Fee: $10 on-site (Checks to ASTA@VCU or Cash) Click here to register
Applying Paul Rolland Actions in Public and Private Schoolswith clinician Nancy Kredel
Saturday, November 4, 2017
11 a.m. – 1 p.m.
James W. Black Music Center
1015 Grove Ave, Richmond Va.
Registration Fee: $10 on-site registration (Checks to VVS or Cash). Violapalooza participants attend for free. To register for Violapalooza, click here. Click here to register
Viola Masterclass with Daphne Gerling (University of North Texas) and Wendy Richman (New York University)
Saturday, November 4, 2017
1:15 p.m.- 2:50 p.m.
W.E. Singleton Center for the Performing Arts
922 Park Ave, Richmond Va.
Registration Fee: $10 on-site registration (Checks to VVS or Cash) Violapalooza participants attend for free). To register for Violapalooza, click here. Click here to register
Violist Jasmine Harris spent two weeks this summer at the Hot Springs Music Festival in the Ouachita mountains of central Arkansas, and five weeks at the Eastern Music Festival in Greensboro, N.C.
The Hot Springs Festival ran from June 3-16 and was orchestrally focused, with rehearsals every day and a full program concert every four days. Harris also had the opportunity to play and perform in a chamber group, attend masterclasses and receive private lessons.
The Eastern Music Festival (EMF) was a more intensive orchestra program with a full program orchestra concert every week, plus chamber performances. Her chamber group learned and performed Shostakovich’s String Quartet No. 8, which required rehearsals every day and two scheduled coachings per week. There was also a scheduled studio class once a week, where Harris and the other viola participants studied with six viola faculty members. She also had the opportunity to see the EMF faculty perform in their own orchestra. Read more »