- NEW! Class size is limited to 12 so sign up right away.
This course explores new methods of creating art – where the 2D and 3D approaches collide – where the line between painting and sculpture becomes blurred. The 2D component of the class will investigate traditional and non-traditional methods of image making through glass working (cutting, engraving, grinding) and enameling onto multiple layers of glass. Glass being a transparent material allows students to create imagery in physical layers creating depth and dimension to their 2D design. Color theory, design, and composition will be covered.
This incorporation of 3D approach in 2D disciple will continue in the sculpture project where the students will construct a form using chipboard. The structure will then become a canvas for their paintings. Construction techniques and various methods of display will be discussed. This type of transformation of the 2D/3D disciplines enhances the discussion of contemporary practices and artists and giving the students necessary skillset to challenge design, form, structure and idea development.
PBS’s Art 21 series will be used as a tool to explore contemporary artists and topics.
Students will be closely supervised to ensure safety. Class size is capped at 12.
Professor: Sayaka Suzuki, MFA
Originally from Yokohama, Japan, Sayaka Suzuki has spent much of her life hopping around the US until finally taking root in Richmond, VA. In 2000 Suzuki received her BFA in glass sculpture from Tulane University and in 2005 she received an MFA in Craft/Material Studies from Virginia Commonwealth University. She’s been teaching glass casting at VCU for the past seven years.
Her works are exhibited nationwide from group exhibitions that include the Washington Project for the Arts-Corcoran (DC), Maryland Federation of Art, Mesa Contemporary Arts Center (AZ) and exhibitions throughout Canada. Her solo exhibitions include the Virginia Museum of Contemporary Art and Pensacola Museum of Art and her works have been published in Art Papers, New Glass Review, and represented in a book 1000 Designs for Creative Reuse by Garth Johnson. She recently received the “Kiln Caster’s Award” for Bullseye Emerge 2012 where her piece “Harvest Day” was chosen to travel from Portland, San Francisco, and to the New Mexico Museum of Art.