In their collaborative work, Josh Thorud and Anthony Smith explore commercial architecture, fine art documentation, abstract video and nostalgia through site-specific video sculptures. Kiosks combines retail materials with swirling and self-destroying light sculptures. Vaguely familiar forms, over layers of jagged edges, deteriorate into mere light, color, shape and movement. Contemporary art is more often seen in digital form as documentation images and videos than in physical space, which causes anxiety over the ability to document work. This pushes artists to make work that looks good in thumbnails. Kiosks is composed of previous documentation, synthesizing object and document into one piece.
“Sediment Arts’ invitational art exhibition To: Pluto is organized under this theme of historic exploration, expanded understandings, and loss of innocence. The artists in the exhibition work through various mediums and across platforms, with diverse perspectives on environmental, social, and technological issues relevant to society today. Their work speaks to relationships with Pluto or other planetary bodies including our own, to the human longing that comes with distant and detached explorations of intangible objects, as well as the role of speculation and scientific discovery in defining what is within or without our physical world and imagination.”
BFA Alum Kate Fowler working with the Magnum Foundation as a part of their Photography, Expanded initiative, recently coordinated The Third Annual Symposium. Presentations and panel discussions presented innovative documentary storytelling and emerging ideas in digital media and journalism on social justice issues. Featured artists included Andrew Beck Grace (After the Storm), Katy Scoggin (CITIZENFOUR), Marek Tuszynski (Exposing the Invisible), Elaine Sheldon & Sarah Ginsburg (She Does Podcast).
For more on Kate and her work with the Magnum Foundation, click this link!
October 9 – December 8, 2015 “I don’t like the way you’re not looking at me.” brings together the work of 4 artists from 4 different mediums and perspectives, while investigating similar themes- themes of thresholds, the impulse of self-preservation, and the idea of legacy through relationship.
Stephanie’s work, displayed in the show Going Somewhere, is featured along with six other artists.”Through video and performance, sculpture and photography, painting and sound, these artists engage notions of navigation and movement, adaptation and mobility, exploration and transition.” Her work, Global, is a photo archive of gelatin silver prints. The wood samples her photographs feature, found in local shops, are considered “exotic,” being from areas all over the world.
Fionnuala [Fin] Bradley is a VCU alum with a BFA in Photography. Her humble beginnings, similar to many college students, included taking jobs in the food industry; and the need for change and a driven attitude led her to drop everything and move to San Francisco. “Leaving VCU, I felt a loss, as well as, a little lost. I no longer had access to facilities and equipment, to a daily routine, to purposeful deadlines and most importantly, a community of like-minded artists.” Rather than dwelling on this loss, Fionnuala took the challenges San Francisco life threw her way. She maintained a day job to afford rent while also working hard to develop connections, specifically with groups in her interest field of youth development in the arts and culture sector. “I interned with the Education Department of the Fine Art Museums of San Francisco, mentored youth with a photography program called First Exposures and taught Digital Art to middle schoolers in the After School Program that I now direct.”
The Depot Gallery recently exhibited the work of 26 alumni of VCUarts, including Photography + Film alumni, Jaclyn Brown, who’s work was used on the show flier (BFA ’13) Harrison Möenich (BFA ’11), Emmett Methven (BFA ’14), Dana Ollstead (MFA ’12), Janelle Proulx (MFA ’14) and Courtney Bowles (BFA ’07).
“I’m thrilled to be part of a small, tight-knit team that works to offer free opportunities to emerging international photographers. My role is to provide production and event assistance on programming, which includes researching and contacting potential panel members, facilitators and mentors, acting as a point of contact for lab attendees, contributing artists and collaborators, working with the director of programming to design the structure of events and the run-of-day for labs, writing event descriptions and serving as a facilitator during the events. Each day is different and has its own set of challenges— many of which inspire and inform my personal practice!”