KANISHKA RAJA – LECTURE SEPTEMBER 7, 2017 3:00 pm at the DEPOT.
KANISKA RAJA Bio August 2017
Kanishka Raja’s practice explores the intersection of representation, craft, technology, and
the gaps that occur in the transmission of information. In composite fields that tap into
oppositions of the technological versus the handmade, original versus reproduction and
neutral versus contested, Raja’s paintings and their woven, scanned, printed, embroidered
and reproduced counterparts interlock in complex visual fields that consider the translation
and transposition of visual data and are charged with colliding realms of the foreign and
Mr. Raja’s work has been included in solo and group exhibitions at the Asia Society
Museum, NY, the ICA Boston, Dorsky Museum of Art, SUNY, New Paltz, ICA Philadelphia
and the Rose Art Museum, among others. Selected solo gallery exhibitions include
Greenberg van Doren, Jack Tilton Gallery and Envoy, in New York and Galerie Mirchandani
+ Steinrücke, Mumbai. In 2016, Raja completed work on a major Percent for Art
commission from the Department of Cultural Affairs, New York City for a permanent public
Raja is the recipient of a 2011 Painters and Sculptors Grant from the Joan Mitchell
Foundation and winner of the 2004 ICA Artists’ Prize awarded by the Institute of
Contemporary Art, Boston. He has been awarded a Lower Manhattan Cultural Council
(LMCC) Workspace Residency, been a Fellow at the Civitella Ranieri Center in Umbertide,
Italy and a recipient of an NEA funded residency at the International Studio & Curatorial
Program (ISCP), New York.
Kanishka Raja’s work was featured in the recent monograph Passages: Indian Art Today
(Gerard Goodrow & Julia Ritterskamp, daab Media, Cologne, 2014) and will be included in
the upcoming volume, 20th Century Indian Art (Rakhee Balaram, Partha Mitter & Parul
Mukherji, editors, Skira, Milan, 2016).
Kanishka Raja received his BA from Hampshire College, an MFA from the Meadows
School of the Arts, Southern Methodist University and attended the Skowhegan School of
Painting and Sculpture.
The artist was born in Calcutta and lives and works in New York and Kolkata.
Welcome Noah Simblist Chair Painting and Printmaking
Noah Simblist is Chair of Painting and Printmaking and Associate Professor of Art at Virginia Commonwealth University. He works as a curator, writer, and artist and has contributed to Art Journal, Modern Painters, Art in America, Art Papers, Terremoto, Art Lies, Art Pulse, Art21 and other publications. His dissertation Digging Through Time: Psychogeographies of Occupationfocused on the ways that contemporary artists in Israel-Palestine and Lebanon address history. He edited the book Places of a Present Past (New York: Publication Studio, 2015), contributed toBeyond the Aesthetic and the Anti-Aesthetic (eds. James Elkins and Harper Montgomery, Penn State University Press, 2013), Public Servants: Art and the Crisis of the Common Good edited by Johanna Burton (New Museum and MIT Press, 2016), and is in the process of editing a volume about Tania Bruguera’s, The Francis Effect, a project co-produced by the Guggenheim Museum, the Santa Monica Museum of Art, and SMU. He has published interviews with Kader Attia, Khaled Hourani, AL Steiner and AK Burns, Omer Fast, Jill Magid, Walead Beshty, Yoshua Okon, and Nicholas Schaffhausen. His curatorial projects include False Flags with Pelican Bomb in New Orleans (2016), Emergency Measures at the Power Station (2015), Tamy Ben Tor at Testsite (2012), Out of Place at Lora Reynolds Gallery (2011), Queer State(s) at the Visual Arts Center in Austin (2011), Yuri’s Office by Eve Sussman and the Rufus Corporation at Ft Worth Contemporary Arts (2010) and was the curatorial team for the 2013 Texas Biennial. In 2016, he was the co-curator and co-producer for New Cities Future Ruins, a convening that invited artists, designers and thinkers to re-imagine and engage the extreme urbanism of America’s Western Sun Belt.
August 26- September 17,2017
Opening Reception August 26, 2017 6:00-8:00 pm
254 Johnson Ave
Brooklyn, NY 11206
Whateverbeing showcases artwork from 15 graduates of the Painting and Printmaking MFA program.
Artists: Saulat Ajmal, Carolina Aranibar-Fernande, Wesley Chavis, Sarah Coote, Eric Diehl, Mat Gasparek, Devin Harlerode, Will Matherson, Beatrice Modisett, Jon Rehwoldt, Jake Reller, Ricardo Ruiz, Kristen Sanders, Ryan Syrell, Maria Tinaut
Curated by Owen Duffy
Click HERE to see what’s new with students, faculty, and alumni!
Howard Risatti is emeritus professor of contemporary art and critical theory in the Department of Art History at Virginia Commonwealth University where he was chair of the Department of Craft/Material Studies from 2001–2005. He is the author of five books: A Theory of Craft: Function and Aesthetic Expression (University of North Carolina Press, 2007); Skilled Work: American Craft in the Renwick Gallery (Smithsonian Institution Press, 1998), co-authored with Kenneth Trapp; The Mountain Lake Workshops: Artists in Locale (Anderson Gallery, Virginia Commonwealth University, 1996), which accompanied the exhibition he curated of the same title; Postmodern Perspectives: Issues in Contemporary Art(Prentice Hall, 1990); and New Music Vocabulary (University of Illinois Press, 1975). His work has appeared in Art Journal, Latin American Art, Woman’s Art Journal, The Studio Potter, Sculpture Magazine, Ceramics Monthly, Ceramics: Art and Perception, Korean Monthly Ceramic Art, Winterthur Portfolio, and Britain’s Crafts Magazine, among others. He has lectured at many conferences, including the Cheongju International Craft Biennale 2003 Academic Symposium and “CRITICAL Santa Fe: Developing Criticism in Ceramics,” a conference organized by the National Council on Education for the Ceramic Arts.
Paul Ryan is a painter and art critic living and working in Staunton, Virginia. Since 1983 he has shown his work in numerous solo and group exhibitions in a variety of venues, including Reynolds Gallery (Richmond, VA), Marion Gallery, Rockefeller Arts Center at SUNY Fredonia (Fredonia, New York), 1708 Gallery (Richmond, VA), Hartell Gallery at Cornell University (Ithaca, NY), The McLean Project for the Arts (McLean, VA), The University Gallery at The University of South Carolina (Spartanburg, SC), Fine Arts Building Gallery at Virginia Commonwealth University (Richmond, VA), The Virginia Museum of Fine Arts (Richmond, VA), Leeds Gallery at Earlham College (Richmond, Indiana), the Armory Gallery at Virginia Tech (Blacksburg, VA), Space 301 (Mobile, Alabama), and the Taubman Museum of Art (Roanoke, VA), among others. He teaches drawing, painting, and courses on contemporary art and art criticism in the Department of Art and Art History at Mary Baldwin College. He also teaches critical theory in the MFA program of the Department of Painting and Printmaking in the School of the Arts at Virginia Commonwealth University. He has been a contributing editor for Art Papers Magazine since 1990. Since 1989 his writing has appeared in publications such as Art Papers Magazine, Sculpture Magazine, ArtLies, and Art in America. He is represented by Reynolds Gallery in Richmond, Virginia, and his paintings are in numerous public, corporate, and private collections.