Al-Hadid makes complex sculptures that seem in a state of flux, suggesting both incompletion and decay. Underlying her large-scale, baroque forms are a wide array of influences, including ancient Biblical and mythological narratives, Arab oral traditions, Gothic church construction, Western painting, Islamic ornamentation, and scientific advances in physics and astronomy. The exhibition features a single new monumental sculpture—Trace of a Fictional Third—that interweaves landscape, architecture, and the human figure. It is accompanied by a selection of new, heavily worked graphite drawings that shed light on Al-Hadid’s creative process.
BBC’s March 2012 coverage of Al-Hadid’s work shows her reconnection with her Syrian roots.
Photo Credit: Jason Wyche